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A blonde woman in a white top and black pants is standing near a clock that says 1978. A man is sitting on a brown couch and behind him is another man standing in the distance. A scene from Thursday’s Child Theatre's 2025 production of Harold Pinter's 'Betrayal'.
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Theatre review: Betrayal, Chapel off Chapel

Harold Pinter's classic play is still relevant decades later.

Ensemble in various period costumes from 1927 dancing on stage in Cloc Musical Theatre's 'Nice Work If You Can Get It'.
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Musical review: Nice Work If You Can Get It, The National Theatre

Socialites and bootleggers jive to the songs of George and Ira Gershwin.

Three men in Elizabethan style costume against and elaborate backdrop. Two are fighting and the third is lying on the ground.
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Theatre review: The Complete Works of William Shakespeare (Abridged), Cremorne Theatre, QPAC

A riotous romp through all 37 of Shakespeare’s plays, this Abridged version is as hilarious as it is joyful. 

A bearded, fair-skinned man peering above a white paper creation of a building which rises up from the pages of a book. The building, and the forlorn figure of a woman holding a book to her chest, have been ornamented with ink on their paper foundations.
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Peformance review: The BookBinder, DreamBIG Children’s Festival

New Zealand’s Trick of the Light Theatre took Adelaide audiences on a whirlwind ride with their award-winning one man show.

A scene from the Australian production of 'Beetlejuice The Musical'. A cartoonish haunted house primarily lit in purple and green; Eddie Perfect as 'bio-exorcist' Beetlejuice, stand with hands raised centre stage. He has green hair and a green and purple-striped suit. Other charactors, including a startled looking couple and members of the ensemble dressed as male and female cheerleaders stand onstage with them and behind them.
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Musical review: Beetlejuice the Musical, Regent Theatre

Beetlejuice Beetlejuice Beetlejuice is now playing in Melbourne.

The company of 'Women on the Verge of a Nervous Breakdown' at The Hayes Theatre.
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Musical review: Women on the Verge of a Nervous Breakdown, The Hayes Theatre

A melodramatic musical farce set in Madrid in the late 1980s.

A Black woman is sitting on a bed spread which features a yellow and white design. The light is subdued.
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Theatre review: The Black Woman of Gippsland, Southbank Theatre, The Sumner

A modern mystery tale about Indigenous identity.

Two Indian women in colourful saris. One is standing, one is kneeling over some woven baskets.
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Theatre review: The Wrong Gods, Belvoir St Theatre

This thought-provoking but not entirely satisfying tale by S. Shakthidharan explores the cost of progress and development in 20th century…

A man and a woman are standing and staring at each other over a kitchen table; a vase of flowers and a pair of bongo drums sit on the table. The wallpaper behind them is colourful and graphic.
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Theatre review: The Lover and The Dumb Waiter, Ensemble Theatre

A double dose of classic Pinter plays.

A young woman is poking the handle of a broom at a young man.
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Theatre review: Thirst, Subiaco Arts Centre

A story of transformation, enchantment and maybe entrapment through the perspective of Indigenous characters.

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