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man with blue shirt in painting studio. Jan Senbergs.
Features

Vale Jan Senbergs

A unique visual language and an ever curious mind, Jan Senbergs is farewelled by the visual arts sector.

Add-on. Gallery space with blue walls and carpet and colourful abstract artworks. Desmond Lazaro.
Features

Role of the add-on exhibition

Within today’s museum environment some exhibitions are not entirely ‘PC’ (politically correct). We look at the role of the ‘add-on’…

Left: Lavinia Fontana, ‘Mystic marriage of Saint Catherine’, 1574-77 oil on copper. NGV, Felton Bequest, 2021. Image: Supplied. Right: Artemisia Gentileschi, ‘Lucretia’, c.1630-35 oil on canvas. Private collection. Image: Supplied.
Features

Do you know the first female professional artists in Western history?

Lavinia Fontana, Sofonisba Aguissola and Artemisia Gentileschi sustained rewarding artistic practices with an entrepreneurial mindset.

Hamilton Gallery Director Joshua White next to 'Lucretia' by Artemisia Gentileschi, installation view in Emerging From Darkness: Faith, Emotion and The Body in the Baroque at Hamilton Gallery. Photo: Madi Whyte. A figure with short brown hair, glasses and brown beard wearing a collared shirt and blazer stands next to a large painting depicting a women, half nude, sitting at the edge of her bed and gazing up.
Features

Regional exclusive Baroque exhibition signals vision, drive and potential

Hamilton Gallery’s world-class Baroque exhibition, 'Emerging From Darkness', reveals much about the vision and ambition of regional cultural tourism with…

Emily Kam Kngwarry. Image is a gallery with batiks and large paintings hanging from the ceiling and on the walls.
Features

Repositioning Emily Kam Kngwarray, and why now

A rethinking of the work of Emily Kam Kngwarray reminds us that Country and Community come first.

'Hajji and her daughters', an artwork by Amani Haydar. Image: Supplied, courtesy of Amani Haydar.
Features

Arts with law: a complementary and powerful combination

Creating social change and addressing the inadequacies of systems around gendered violence, through arts and law's intersection.

India Mark, ‘Studio self-portrait’, 2023. Winner of the Ashurt Emerging Artist Prize. In the portrait, Mark looks candidly at the viewer. Wearing a collared black shirt, she appears to be painting her own portrait. She stands in front of a neon green canvas which contrasts her figure.
Features

The power of portraiture and human connection

The Lester Prize encourages submissions to explore the depths and reaches of identity expressed through portraiture.

Hermannsburg. landscape painting with text over it saying '20 year waiting list'
News

Hermannsburg School seen in a new light

From the so-called 'chocolate box' painting, which led to an appreciation of Aboriginal art, to a dynamic contemporary art style…

Gabrielle d'Estrées and one of her sisters (c. 1594). Artist unknown. Oil on canvas. Louvre, Paris. Public domain.
Features

Breasts in art: a tender celebration

Revered, adored, feared – breasts are rarely just another body part in art. For Breast Cancer Awareness Month we take…

Deloitte x Art Pharmacy collection. A painting of bold coloured blocks is on the wall with chairs and tables in the foreground.
Features

Regeneration: empowering artists with a landmark art collection

Deloitte worked with Art Pharmacy to curate a new art collection in the award-winning Quay Quarter Tower, Sydney. ArtsHub takes…

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