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The best and worst theatre in 2025
Melbourne-based theatre critic Kate Mulqueen rounds up her best and worst shows of 2025.
Sydney’s year in theatre 2025: our three favourite shows
ArtsHub takes a look back at the year that was and revisits three of the most powerful theatre productions to…
Much ado about who? The enduring appeal of Shakespeare
William Shakespeare is having a Renaissance moment. What has caused this enduring fascination, and how do his plays resonate with…
Which Australian Fringe festival is achieving the greatest growth?
All four of our major fringe festivals continue to draw strong crowds, but one looks likely to be on the…
Canberra Youth Theatre tour explores fast food industry’s ‘disastrous consequences’
The Sydney tour of ‘Work, But This Time Like You Mean It’ has been supported by a $100,000 gift from…
Rachael Maza on shaping the narrative, trusting her gut and preparing to say goodbye
After almost 18 years as ILBIJERRI’s Artistic Director, Dr Rachael Maza AM is stepping down at the end of the…
What is Aboriginal Gothic? Ask The Chosen Vessel playwright Dylan Van Den Berg
Palawa playwright Dylan Van Den Berg and Kalkadoon director Abbie-lee Lewis discuss the emerging theatrical genre, Aboriginal Gothic.
How the independent sector rallied after The Butterfly Club’s shock closure
Indie companies and venues discuss the implications of The Butterfly Club’s closure, and sound a warning for the future of…
We're All Gonna Die! – Maddie Nixon's climate show 'smashes Brisbane's buildings'
We’re All Gonna Die! embraces a monstrous metaphor, with the help of Dead Puppet Society and La Boite.
The rise of DIY audio dramas: is podcast fiction the new fringe theatre?
With podcasting on the rise, Australian theatre-makers are turning to audio drama as an accessible, creative and increasingly professional storytelling…
