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Robyn – Sexistential review: horny, mature and strikingly candid pop music
Robyn said the purpose of her life is to stay horny. On Sexistential, she proves it.
The Devil’s Violin review: ACO brings style and flair to a lively program
In The Devil's Violin, the ACO musicians showcase their strengths on stunning Golden Age instruments.
Monteverdi's Vespers and Orfeo review: two 5-star baroque masterpieces at Adelaide Festival
Ensemble Pygmalion's performances of Monteverdi's Vespers and the opera Orfeo were baroque masterpieces for a neo-baroque age.
Tyshawn Sorey: Alone review – Adelaide Festival 2026
A solo piano recital by Black American composer and multi-instrumentalist Tyshawn Sorey at Adelaide Festival 2026.
Perle Noire review: charting the inner life of the iconic Josephine Baker
A powerful fusion of opera and cabaret, Perle Noire delves into Josephine Baker's inner world.
Brodsky String Quartet with William Barton review: pioneering UK quartet teams with virtuoso yidaki player
The Brodsky String Quartet's collaboration with yidaki player William Barton was let down by a disjointed program.
Good Man review: a rock-cabaret about rejecting toxic masculinity, at Adelaide Fringe
Connor Morel looks back on his younger exploits with the benefits of hindsight and the backing of a tight and…
Star Scum City review: 2charm’s debut album is an electropop ode to summer
Melbourne’s 2charm delivers a sultry, bold and queered vision of summer love.
Adelaide Fringe reviews: Pinky von Sox and the Novel Stand-Up Experience, and Neurospicy: The Musical
A Fringe first-timer’s engaging exploration of neurodiversity and an improvised storytelling show are among the offerings at this year’s Adelaide…
Musica Viva’s A Winter’s Journey review: a potent retelling of Schubert’s Winterreise.
In A Winter's Journey, visual art and atmospheric lighting add to a mesmerising musical interpretation.
