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'JXSH MVIR: Forever I Live', installation view at Koorie Heritage Trust. Left to right: 'The Heart', 2016; 'Oxymoron', 2015; 'William Buckley - Maquette', 2016 (mixed media sculpture); 'Still Here', 2015; 'The Empire', 2015 (top); 'Ticket to Projection', 2015 (middle), 'Skip to my Lou', 2015 (bottom). Photo: ArtsHub. Digital illustrations of Melbourne landmarks with red, black and yellow background hang on the walls. In front of them is a small sculpture of a human figure on a bright yellow plinth.
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Exhibition review: JXSH MVIR: Forever I Live, Koorie Heritage Trust

When kinship is involved – it shows.

'Nina Sanadze', installation view at The Ian Potter Centre: NGV Australia'. Photo: ArtsHub. In a gallery space with grey walls and tiled floors there are several large installations, including anti-terror barriers that appear like concrete spheres and rectangular blocks, scatters of monuments and sculptures.
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Exhibition review: Nina Sanadze, The Ian Potter Centre: NGV Australia

A succinct but multilayered survey of an artist who challenges history and perception.

LISA GORMAN + MIRKA MORA, installation view at Warrnambool Art Gallery. Photo: Supplied. An exhibition space partitioned with orange, dark turquoise and pink sheer curtains. In front of the curtains hang embroideries by Mirka Mora and clothing by Gorman x Mirka.
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Exhibition review: LISA GORMAN + MIRKA MORA: To breathe with the rhythm of the heart, Warrnambool Art Gallery

A lyrical and symbiotic pairing of fashion design, sculptural installations, painting, embroideries and more by two Australian icons.

Donna Marcus mesmerises audiences with the mass and variety of vintage cookware she collected, sorted and assembled. 'Radiate' installation view at HOTA. Photo: ArtsHub. Red, blue and silver wall sculptures made of aluminium parts and arranged in different patterns arranged on a white wall.
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Exhibition review: Donna Marcus, Radiate, HOTA

An exhibition that reflects the integral role women have played in feeding the growth of Australia as a nation since…

'ARA DOLATIAN: Heavenly Bodies' installation view at James Makin Gallery. Photo: Ivana Smiljanic. Three small sculptures on plinths inside a white gallery space. Each sculpture is gold and blue with towering shapes.
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Exhibition review: Heavenly Bodies, James Makin Gallery

The ceramicist turns our attention to the vibrancy of ancient artefacts and repositions them in our contemporary context.

Paul Knight. Image is a large empty gallery save for one photographic image on a wall. There are different yellow planes jutting out from the walls.
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Exhibition review: Paul Knight: L'ombre de ton ombre, MUMA

Paul Knight’s solo exhibition brings into focus the role of chance in human connection.

Design Fringe. Image is white gallery space and wooden floor and empty fireplace, with tables and shelves covered with art objects and pieces of furniture design.
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Exhibition review: Design Fringe 2023, Linden New Art

Where would design take us if it no longer has the answers?

Image is of a person watching a screen on which two women in China are drinking tea at a table in front of a glass and wood cabinet that contains artefacts and books.
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Exhibition review: Djilba/Kambarang season, PICA

Three concurrent exhibitions from Wu Tsang, Sriwhana Spong and Sancintya Mohini Simpson at Perth Institute of Contemporary Art (PICA).

Liam Young. Image shows room with purple hues and large screens angled away from the viewer.
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Exhibition review: Liam Young: Planetary Redesign, The Ian Potter Centre, NGV Australia

As climate chaos ignites more panic, drastic measures are presented to completely reimagine the planet’s future.

Justin Williams. Green wall with painting in the middle depicting a seated female nude and crouching male nude in a forest.
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Exhibition review: Justin Williams, COMA

The latest solo show by the artist offers intriguing compositions set against white or lush emerald green walls in the…

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