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Exit Interview: Ashleigh Wilson, Arts Editor at The Australian
As he leaves The Australian, Ashleigh Wilson wraps up two decades with the paper, half of which was spent shaping…
21 reasons our arts industry will bounce back better than ever (Part Two)
Simon Hinton, Artistic Director/CEO of Merrigong Theatre Company, continues his celebration of our theatre champions.
Why we need to stop waiting to be the next viral hit
Dreaming of being the next How to Dad? We give you tips on how to readjust your social media mindset.
Additional $8M for Trove as national archive is relaunched
With over 68,000 users daily, accessing more than 6.5 billion digitised records, Trove was ready for a clean-up, and has…
Fast-forward 12 months: Four curators' predictions for the visual arts
What does 'normal' look like in a post-COVID environment? We asked four curators to gaze into their crystal balls and…
On the Move: Latest sector appointments and departures
Executive Director leaves ART ON THE MOVE, Bundanon Trust fills senior positions, and more.
What the arts can learn from Black Lives Matter
To really change the arts, we need to change arts leadership. Travis de Vries thinks we should make bigger systemic…
Women, First Nations composers under-represented in orchestral repertoire: new report
Analysis of the repertoire of nine major organisations, including the QSO, MSO, SSO, TSO, ASO and WASO, reveals that only…
21 reasons our arts industry will bounce back better than ever (Part One)
Simon Hinton, Artistic Director/CEO of Merrigong Theatre Company, has written a love letter to the theatre industry celebrating our arts…
How your childhood can shape your writing
ArtsHub spoke with 2020 Miles Franklin shortlisted author Peggy Frew about her latest novel 'Islands', and how feeling like an…
