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Theatre Review: STC's Playing Beatie Bow
A joyful production to appeal delightfully to young and old.
Book Review: Growing up Disabled in Australia edited by Carly Findlay
Black Inc’s 'Growing Up' anthologies showcase the first-person experiences of people from a range of marginalised groups. It’s newest offering,…
The ‘business’ of craft shouldn’t be an oxymoron
Damien Wright believes the future is in the handmade, especially as we emerge as a new economy out of COVID-19,…
Theatre Review: The Pulse, Gravity and Other Myths (Adelaide Festival)
Adelaide’s contemporary circus powerhouse return to the stage with a bold new work that is unlikely to have been made…
Reinventing the arts sector's trajectory as WA election looms
Western Australia's impending election is an opportunity to re-examine the status quo and re-invent the future trajectory of the state's…
What the pandemic has taught us about disability and what we still have to learn
If non-disabled artists listen to those with chronic illness and disabilities, we may yet re-build as a kinder, more robust…
ICYMI: The week's top news in the arts
Collingwood Yards set to open, Art Month Sydney in swing, proppaNOW survey, Aus Ballet goes digital, Young Writers Fellowship on…
Exhibition Review: A Forest of Hooks and Nails, Fremantle Arts Centre (Perth Festival)
A Forest of Hooks and Nails is a joyous exhibition about the art of hanging art, writes Ted Snell.
The Audio Tour has just been reimagined: we tell you how
The audio tour just got better, with cinematic sound and location-aware technology, the WA Museum’s Gogo app by Art Processors…
Theatre Review: Young Frankenstein, Hayes Theatre
This often nonsensical pastiche of a show features great production and an eight-person cast work hard for their money –…
