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A man in drag on stage. There is a band behind him.
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Performance reviews: Hedwig and the Angry Inch and Camille O’Sullivan: Loveletter, Adelaide Festival

Two Adelaide Festival shows look to the past, but with varying degrees of success.

A woman in a shoulder less black top with short bleached hair sings in to a microphone. She looks a little tortured. Cat Power. Port Fairy Folk Festival.
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Music review: Cat Power Sings Dylan, Port Fairy Folk Festival

When a performer truly shows their vulnerability, sometimes that can give rise to the greatest gigs of all.

A man wearing sparkly top and pants is mid pose. His face is hidden by his hand touching his hat. best and worst theatre in 2025.
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Musical review: MJ The Musical, Sydney Lyric Theatre

‘MJ the Musical’ is a dazzling production. But be warned: you may come away from it feeling uncomfortable, sad and…

A concert scene with lots of bright lights and backdrop. Four figures in cream can be seen on stage and a back up band behind them.
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Performance review: Björn Again, West Gippsland Arts Centre

The ABBA tribute band are back on a country-wide tour.

A young man, Joseph Keckler, in black lying on a couch with his eyes closed.
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Music review: An Evening with Joseph Keckler, Brunswick Ballroom

Playing across different styles and genres, this musician is experimental and entertaining.

Conductor Umberto Clerici is conducting musicians in foreground. Behind him are several performers on the ground in different poses.
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Music review: The Rite of Spring, Concert Hall, QPAC

Works that changed the course of modern music, alongside some bold reimagining, created a successful opening for Queensland Symphony Orchestra’s…

A crowd scene of 'Candide'. The dancing cast is dressed in period costume. There is a faded caravan behind them.
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Opera review: Candide, Joan Sutherland Theatre, Sydney Opera House

Bernstein’s crowd-pleasing comic operetta will have audiences laughing at the absurdity of extreme ideas.

'Garry Starr: Classic Penguins' at The Garden of Unearthly Delights, Adelaide Fringe 2025. A photoshopped image of a fair-skinned man with curly black hair and a neat beard wearing an orange-coloured Elizabethan ruff. His arms from the elbows down, and his body from the waist down, have been photoshopped to appear like a penguin. He leans on his left flipper and sits on his left penguin hip, his orange penguin feet and right flipper raised.
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Performance reviews: Garry Starr: Classic Penguins and Thunderstuck: A Night of Classic Rock, Adelaide Fringe 2025

From brilliant, in-your-face clowning to contemporary dance performed to a virtuosic live violin score of rock classics, two fascinating but…

A scene from A Daylight Connection's 'A Nightime Travesty' at Malthouse Theatre for Asia TOPA 2025. Two Aboriginal women dressed as airline stewardesses stand on a blue-lit set as bloody rags fall from above. Behind them at stage right stands a sexy, shirtless, Aboriginal actor playing Death; at stage left, two musicians are visible.
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Theatre review: A Nightime Travesty, Malthouse Theatre, Asia TOPA 2025

A ferociously funny, controlled yet chaotic Blak vaudevillian comedy that pulls no punches and decapitates its prisoners.

A young man holding onto a young woman. The lgiht around them is night-blue.
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Musical review: Hadestown, Theatre Royal Sydney

While some elements are impressive, others are undercooked and underwhelming.

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