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How an indie company is working to engage new audiences
Pairing with local businesses with an established customer base can help transform unengaged audiences into cabaret fans.
Art as a balm for the island state
In the wake of January’s devastating bushfires, Ten Days on the Island offers Tasmanians a chance to come together and…
Asad Raza announced for new Kaldor Public Art Project
In its 50th anniversary year, Kaldor Public Art Projects turns to an artist who constructs scenarios between visitors and participants…
Review: The Great Tamer, Perth Festival
A riveting piece of theatre that collapses mediums, genres, histories and logic allowing us to dwell, momentarily, in that place…
On the move: the latest appointments and resignations
New appointments for the Wheeler Centre, Bangarra Dance Theatre, Melbourne Theatre Company, Baluk Arts, the Queen Victoria Women's Centre, and…
Review: Alchemic by Cassils, PICA
Two exhibitions at PICA give viewers the opportunity to confront, and to change, societal perceptions of complicit violence, making them…
Review: Love, Displaced, Lawrence Wilson Art Gallery, Perth
Love, Displaced reminds us that we can still find empathy and pause in our era of 21st century screen culture,…
How legislation has given AGNSW the blockbuster edge
Protection against seizure and restitution has enabled some of China's most important objects, once housed in the Imperial Palace and…
Kip Williams on love and LGBTQI+ storytelling
A special panel discussion at NIDA will put LGBTQI+ storytelling and representation centre-stage this Valentine’s Day.
ICYMI: this week’s arts news in brief
Records tumble at Arts Centre Melbourne, new leadership program announced in regional WA, festival winds up, latest program announcements, and…
