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Review: The Flick at the Seymour Centre
This play is a masterclass in how to pace a drama. Outhouse Theatre’s adaptation of Annie Baker’s The Flick is…
Review: Evacuation by Raphaël Jerusalmy
There are many layers to this excellent short novel published by text Publishing.
Review: Bohemia Beach by Justine Ettler
Catherine drinks champagne, for when she’s trying not to get too drunk, and vodka, for when she’s seeking refuge from…
Review: Soft Topologies by Kate Scardifield at UTS Gallery
Through materials and artefacts of colonial astronomy, Kate Scardifield explores how we each move through the world, making our own…
Review: QSO – Faure Requiem
A celebration of the beauty and persuasive power of the voice and the infinite sonic possibilities of instrumental and choral…
Review: Angella Dravid's Down the Rabbit Hole
An unflinchingly honest telling of an international tryst gone seriously awry, criminal justice and a fake friendship with a serial…
Review: The Children at Sydney Theatre Company
Lucy Kirkwood goes back to the basics of social drama to discuss the complex issue of climate change.
Review: Comedy Zone Asia
A worthy reminder that making people laugh is indeed a global phenomenon, not just restricted to privileged first world white…
Review: Ari Eldjárn – Pardon My Icelandic
He’s Iceland’s biggest comedy star, but in a country of 340,000 people, that’s not much of a claim.
Review: Sophie Willan – Branded
Unashamed defiance, rebellion and rudeness is the streak running through this young English comedian’s stand-up show.