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Review: HIR at Studio Underground
HIR is a black comedy that dissects the dysfunctionality of family and the general disarray that describes life, and is…
Review: Sydney Dance Company’s ab [intra]
Rafael Bonachela's new work is stark and stunning.
Review: The Bleeding Tree at Arts Centre Melbourne
Angus Cerini’s award-winning play is magnificent, horrific and remarkable.
The Death Of Noah Glass by Gail Jones
This is a novel of subtle shades and nuances, overflowing with references to literature, art and cinema published by text…
Review: Mother’s Ruin A Cabaret About Gin
Despite its flaws, Mother’s Ruin is a hell of an enjoyable performance with a clearly talented ensemble.
Review: Troilus and Cressida at The Depot Theatre
Director Sean O’Riordan wasn’t wrong to describe Troilus and Cressida as a 'problem play'.
Review: The Longest Minute at Jute Theatre
An exceptional performance was given by Chenoa Deemal as Jess Wright, the protagonist and narrator of this overall jovial yet…
Review: Summer of the Seventeenth Doll at Heath Ledger Theatre
Hope, love, mortality, delusion, class identity and gender equity are all explored within the single setting of a 1950s inner…
Review: Shirley Valentine at Ensemble Theatre
Willy Russell’s play, Shirley Valentine, was written just over 30 years ago. Now, in this marvelous production the play feels…
Review: Opera Australia's Don Quichotte
A welcome appearance of a French rarity conducted by a connoisseur.
