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Review: Julius Caesar by Bell Shakespeare, Fairfax Studio

Bell Shakespeare’s Julius Caesar falls flat.

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Review: Beautiful: The Carole King Musical, QPAC

Hannaford excels as Carole King. She’s energised, mournful, ecstatic, introverted, forgiving and gutsy.

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Review: Prehistoric, Meat Market

Elbow Room's Prehistoric is a stand-out piece of theatre.

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Review: Dark Rooms - Women Directing the Lens 1978–98, Griffith University Art Museum

This is an exhibition worthy of the serious curatorial lens it has been given, and speaks of the richness of…

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Review: An Ideal Husband, Arts Centre

MTC’s revival brings a robust render to the narrative of unavoidable corruption in a money-made society.

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Review: Melancholia, Malthouse Theatre

Malthouse Theatre’s Melancholia is an ambitious adaptation of Lars Von Trier’s 2011 film of the same name.

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Review: Polygraph, Theatre Works

An engrossing and visceral exploration of how truth and trauma can bind lives together and tear them apart.

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Review: JOAN, Waterside Workers Hall

Co-presented by the Rabble and Vitalstatistix, JOAN is sprinkled with unflinching theatrical moments.

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Review: Love Song Dedications (without Richard Mercer), PACT

If you got a chuckle from the title then you are probably going to enjoy this play.

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Review: Aida, Opera Australia

A new tech era for Opera Australia delivers artistically, while operatically tradition held strong with phenomenal singing.

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