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Insider conversation with the MCA's new Director
Australian Suzanne Cotter returns to Sydney after 32 years abroad heading up institutions in Luxembourg, Portugal, New York, Oxford, London,…
Exit interview: Marcus Schutenko, MAGNT Director
Marcus Schutenko has steered Darwin's Museum and Gallery of the Northern Territory out of the 'dark years' and into an…
What I learnt over my 15 years as a gallerist
Moving to Australia with no network of artists or collectors, Dominik Mersch says that sharing stories has been the key…
Understanding the year of glass in 2022
The cheat's guide to all things glass in Australia for 2022, from what’s hot, where to see it and where…
So you want my arts job: Art Installer
Mona’s Collection and Exhibition Preparator shares how he shifted from hospitality into the arts and why he finds cat mummies…
On leadership in the Top End with Louise Partos
‘I have done my bit. Now it needs someone to come in and grow it.’ Louise Partos transitions from 14-years…
Executive Assistant to five state gallery directors, Lindsay Brookes’ insights are golden
Retiring after 34-years at AGSA, Lindsay Brookes offers wisdoms on why organisational history is important, and the ‘sticky role an…
Introducing Brett Adlington, Museums & Galleries NSW CEO
In a first, Adlington as CEO of a peak arts organisation will split his role between a regional home office…
Why I left my art gallery
ArtsHub speaks with artists Luke Cornish (aka ELK) and Zoe Young on why they stepped away from gallery representation, and…
Why you need a Consignment Agreement for your work
Don't put yourself at risk by sending an emailed inventory of your for sale artworks or designs. Rather, use a…
