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Connor Morel's Good Man at Adelaide Fringe 2026.
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Good Man review: a rock-cabaret about rejecting toxic masculinity, at Adelaide Fringe

Connor Morel looks back on his younger exploits with the benefits of hindsight and the backing of a tight and…

WA Youth Theatre Company's Scenes from the Climate Era, presented at Perth Festival 2026. Image: Supplied.
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Scenes from the Climate Era review: WA Youth Theatre tackles hope and purpose at Perth Festival

Climate change is a difficult topic to bring to the stage, but the young performers in Scenes from the Climate…

The Art of Storm-Whistling. Photo: Curious Roach Collective.
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The Art of Storm-Whistling: a mythical maritime story at Adelaide Fringe

The Art of Storm-Whistling follows a mythical journey across the seas.

James Rowland: Team Viking. A fair-skinned man with straw-blonde hair and a reddish beard stands thigh deep in the waters of the Thames. He is wearing a plastic Viking helmet with ahistorical horns, a black suit, white business shirt and black tie, and carries a burning torch made of rolled-up paper.
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Team Viking review: a hilarious, heartbreaking and healing masterpiece

The remarkable Team Viking was one of the standouts of the Adelaide Fringe opening weekend.

From left, Ben Prendergast, Ngaire Dawn Fair, Emily Goddard and John Leary in Kid Stakes, performed by Red Stitch Actors' Theatre as part of The Doll Trilogy. Photo: Chris Parker.
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The Doll Trilogy review: Red Stitch makes a marathon feel like a sprint

My word, she’ll be right… Ray Lawler’s pioneering The Doll Trilogy still makes for a stimulating day (and night) in…

Art. Image: Brett Boardman.
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Art review: a revived classic holds a mirror to artistic and social foibles 

Yasmina Reza’s 1994 classic, Art, has opened in Sydney, starring Richard Roxburgh, Damon Herriman and Toby Schmitz.

Malthouse Theatre's Black Light. Photo: Pia Johnson.
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Black Light review: Jada Alberts throws the spotlight on the matriarchy

Navigating kinship across generations, this world premiere of Black Light opens the Malthouse’s 2026 season.

Crossing the Divide. Image: Supplied.
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Crossing the Divide review: theatre for young people that grapples with tough questions

Crossing the Divide weaves a story about colonial explorers and modern day schoolkids.

From left, Michelle Fornasier, Caitlin Beresford-Ord, Helen Searle, Alex Jones, Rebecca Davis and Tegan Mulvany in Theatre 180’s production of 21 Hearts. Photo: Stewart Thorpe Photography.
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21 Hearts review: Theatre 180 brings wartime cruelties and courage to light

A strong ensemble cast brings audiences close to the horrors endured by Australians serving in World War II during the…

An earlier performance of POV, featuring different cast members than the performance reviews. n 11-year-old girl holds a sophisticated camera complete with antennae to broadcast it to screens in the theatre. She is filming a male actor, whose image is visible on a large screen behind them.
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POV review: live cinema refracts real life at Perth Festival

POV is a moving three-hander that features two new, unrehearsed adult actors every night.

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