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How stage designers transform the mundane into the extraordinary
For Malthouse Theatre’s immersive new production Because The Night, its designers have transformed the venue – even incorporating some of…
The magic is back: Harry Potter and the Cursed Child returns to the stage
Actors discover muscle memory propelling them across the stage after 49 weeks off, and also discuss the impact of J.K.…
Are local artists enough to save our festivals without international headliners?
Can 'hyperlocal' arts programming save Australia’s previously thriving festival scene? Or are audiences still looking for the big names from…
The art of the impossible: International collaboration during COVID
Companies collaborating with Irish and New Zealand colleagues tell us how their productions are forging ahead despite the pandemic. Dogged…
How to establish an indie theatre company that endures
It’s inevitable that you’ll make some mistakes along the way, but if you’re considering creating a new indie theatre company,…
Must see performing arts of 2021: Part One – theatre and musical theatre
Our Performing Arts Editor Richard Watts selects some of the shows he’s most excited to see in 2021.
Exit Interview: Todd MacDonald, La Boite Theatre Company
After six years as Artistic Director/CEO at Brisbane’s La Boite, MacDonald is moving on. He looks back on his time…
Theatre companies push storytelling boundaries with online audiences in COVID-19
One night in April, I found myself holding my cat up to my laptop, eagerly showing her off to a…
Adelaide Fringe at 60
Over six decades to date, the Adelaide Fringe has been both a playground and a career springboard for Australian and…
How an indie company hopes to drive an Adelaide theatre revival
Theatre Republic hopes to grow Adelaide's independent theatre sector, while also increasing opportunities for local practitioners and growing audiences.
