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RISING festival program released: newest reason to love winter unveiled
It's been called ‘the biggest showcase of Victorian artists in the state’s history’, but the new RISING winter festival may…
Are local artists enough to save our festivals without international headliners?
Can 'hyperlocal' arts programming save Australia’s previously thriving festival scene? Or are audiences still looking for the big names from…
Must see performing arts of 2021: Part Two – dance and circus
Our Performing Arts Editor Richard Watts selects more of the shows he’s most excited to see in 2021.
Adelaide Fringe at 60
Over six decades to date, the Adelaide Fringe has been both a playground and a career springboard for Australian and…
Can outdoor events develop dance literacy in new audiences?
Supercell Festival of Contemporary Dance has moved its performance program outdoors and abolished ticket charges in order to reach audiences…
Why we should celebrate the aging body in dance
Beautiful and athletic bodies are all well and good, but senior dancers bring refinement, emotional depth and a wealth of…
WA dance company turns isolation into inspiration
How do you encourage local dancers to stay in WA instead of seeking career opportunities on the east coast? By…
Exit interview: Natalie Weir, Expressions Dance Company
After 10 years as Artistic Director of Expressions Dance Company, Natalie Weir reflects on her time at the company as…
How dance connects First Peoples on the world stage
The opportunity to explore cultural connections goes well beyond the sharing of art – it connects with cultural values; our…
Full circle: Tasdance’s new Artistic Director on coming home to Launceston
Almost two decades after leaving Tasmania, Adam Wheeler returns with an enriched skill set. He talks about telling stories, rejecting…
