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Haunting history play to premiere at new First Nations festival

There’s a special feeling on Boorloo boodja (Perth country) in the lead up to Black Swan State Theatre Company’s inaugural…

Features

That sinking feeling

One month after Melbourne's RISING was forced to close after only a single night of performances, Tim Byrne reflects on…

Features

'I really want to ground ADT on Kaurna Country.' Daniel Riley on taking the reins

Wiradjuri man Daniel Riley will be the sixth Artistic Director of Australian Dance Theatre in 56 years, and the first…

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15 years of amplifying Tasmanian voices

Established in 2006, Tasmania Performs remains agile and responsive, and dedicated to developing Tasmanian artists and showcasing their stories to…

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Inspiration during isolation: The long-term benefits of artist residencies

From playful figures to bathtub performances, artists are using the intense residencies of their past to create unexpected new works…

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RISING festival program released: newest reason to love winter unveiled

It's been called ‘the biggest showcase of Victorian artists in the state’s history’, but the new RISING winter festival may…

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Are local artists enough to save our festivals without international headliners?

Can 'hyperlocal' arts programming save Australia’s previously thriving festival scene? Or are audiences still looking for the big names from…

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Must see performing arts of 2021: Part Two – dance and circus

Our Performing Arts Editor Richard Watts selects more of the shows he’s most excited to see in 2021.

Features

Adelaide Fringe at 60

Over six decades to date, the Adelaide Fringe has been both a playground and a career springboard for Australian and…

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Can outdoor events develop dance literacy in new audiences?

Supercell Festival of Contemporary Dance has moved its performance program outdoors and abolished ticket charges in order to reach audiences…

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