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Necrobarista, money, and the miserable business of artistic games
The lead artist on the award-winning Melbourne game alleges missing and inconsistent payments, and poor workplace culture. These issues are…
The Power of Visibility: beating the mid-career blahs
Even introverts can shine in their own ways. Challenge your fears and put yourself out there with these ideas from…
Preparing for a National Arts, Culture and Creativity Plan: Webinar 2
Kate Fielding, CEO of A New Approach, discusses some of the current thinking around the development of a new national…
Principles or pragmatism: does it matter where arts sponsorship comes from?
From Perth to London, the question of arts organisations taking money from the fossil fuel industry is being hotly debated,…
The limits of advocacy: arts sector told to stop worrying and be happy
Economic arguments about the arts' value aren't working, say Justin O'Connor, Julian Meyrick and Tully Barnett; we need to assert…
Exit Interview: Dr Wendy Were, Director Advocacy and Development, Australia Council
From international engagement strategies to showing how Australian's value culture, Wendy Were has ushered in new research for change -…
Digital is here to stay: how funders can support artists in the post-COVID landscape
With snap lockdowns and hybrid events part of the new normal Dr Jackie Bailey sees an opportunity for the creative…
COVID one year on: Impacts on creatives of colour
Already marginalised, the pandemic has seen creatives of colour significantly impacted by increased racism and loss of incomes, writes Monique…
Finding a place in the strange new world of NFTs
Some artists are jumping into NFTs while others see pitfalls. Jane O’Sullivan looks at both sides of this emerging meld…
Introducing Gill Minervini, Vivid Sydney’s new Festival Director
Gill Minervini gives us a sneak peek into what the festival has to offer including a future of more collaboration…
