Amelia Jean OāLeary, a Gamilaroi dancer from Barraba, has performed the piece Yinarr (meaning āAboriginal Womanā in Gamillaraay Language) several times over the past few years, in various iterations combining multi-media and live performance. This one was a raw, physical segue into Dancehouseās new season.
In the performance, OāLeary has expressed that she is exploring her identity, as woman, as dancer and as an Indigenous Person. This was tangible in the work, which centred on her movement, spot-lit in violet light, in front of a wide white canvas. She played with shadow, lifting her arms, at times sinuous, at others, jagged above her head.
Kudos to Giovanna Yate GonzĆ”lez for the technical arrangements. OāLeary seemed to carry the weight of soul searching and identity questions by heaving the solar plexus, touching her face and bowing her head down to the ground. Sometimes this struck the audience as unsure, quavering, at other times powerful.
There appeared to be an ambivalence in the work about the discovery of identity, as projections and sound are distorted around her, snatches of dialogue such as ‘I think Iām regaining power in my body’ carried us into the vortex of self-discovery.
The floor work contrasted with the reaching, yearning motions in the earlier section, as OāLeary bent into a deep Martha Graham-esque plie and pushed into the floor with her hands and her head, as if searching for a channel or entry. The soundtrack and lighting seemed to accentuate the eerie mood.
Horror and suspense were employed through the ringing soundtrack and distortions in the projections. At one point, OāLeary slumped to the floor, ringing her hands like Lady Macbeth. Yet there were moments of tenderness, especially at the ending where we see OāLeary hold her removed garments to her body like a baby and walk serenely off stage.
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I was left feeling as if Yinarr was a kind of reflection or echo, a ripple across the water or tremor in the leaves, pointing to more developed work from OāLeary later on, which I hope to see.
Yinarr
Dancehouse, Melbourne
Tickets: $15-$30
Choreographer, performer, sound designer: Amelia Jean OāLeary
Projection/film: Amelia Jean OāLeary and Alliah Nival
Technical support (lighting/sound/projection): Giovanna Yate GonzƔlez
Yinarr will be performed until 3 September 2022