Spray gun philosophy: Katharina Grosse on painting

A new installation at Carriageworks is the next chapter in Grosse’s somewhat unorthodox journey with painting. What drives her and what does she value?
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Katharina Grosse standing within her Carriageworks installation; Photo: ArtsHub.

Last week, German mega-artist Katharina Grosse unveiled her Sydney Festival installation at Carriageworks, a colourful work comprised of 8,250 meters of fabric – suspended, knotted and draped – which she then took to with a spray gun.

Overnight it became a trending sensation globally on social media. We saw a similar response last year when Grosse painted an abandoned US Army aquatics facility in Fort Tilden Park, Queens – one of the areas hard hit by Hurricane Sandy. Images of the candy-coloured structure circulated wildly on social media channels, adding an uncanny dimension to the experience of viewing Grosse’s work.

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Gina Fairley is ArtsHub's Senior Contributor, after 12 years in the role as National Visual Arts Editor. She has worked for extended periods in America and Southeast Asia, as gallerist, arts administrator and regional contributing editor for a number of magazines, including Hong Kong based Asian Art News and World Sculpture News. She is an Art Tour leader for the AGNSW Members, and lectures regularly on the state of the arts. She is based in Mittagong, regional NSW. Instagram: fairleygina