New ceramicists don’t care to be cool

What is driving the rediscovery of ceramics, their renewed collectability and place in the museum environment?
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Burn Baby Burn, Art Month Sydney talks about the rise of contemporary ceramics. Credit: Emily Hunt, Doctrine of Eternal Recurrence, 2014. Courtesy of the artist and The Commercial Gallery, Sydney. Photo by Brenton McGeachie.

It is not surprising as part of this year’s Art Month Sydney, ceramics was going to be a topic of discussion. The festival’s artistic Director Glenn Barkley, who has recently come to the medium himself as an artist and is a member of the Claypool studio collective, openly admitted that his curatorial position allowed him to indulge his interests.

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Gina Fairley is ArtsHub's Senior Contributor, after 12 years in the role as National Visual Arts Editor. She has worked for extended periods in America and Southeast Asia, as gallerist, arts administrator and regional contributing editor for a number of magazines, including Hong Kong based Asian Art News and World Sculpture News. She is an Art Tour leader for the AGNSW Members, and lectures regularly on the state of the arts. She is based in Mittagong, regional NSW. Instagram: fairleygina