Making the National Gallery more accountable

After a year of battered public opinion over provenance issues, NGA Director Gerard Vaughan opens up on the new strategic plan, a new look, and a new approach to the sticky question of provenance.
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Gerard Vaughan, supplied courtesy NGA

Last week the National Gallery of Australia (NGA) announced its summer blockbuster would be an exhibition on the work of Tom Roberts, opening 6 December. The show will be timed with the unveiling of a major rehang at the NGA that positions the Australian Collections downstairs in the previously lofty spaces reserved for international, the showcase location encountered first when entering the gallery.

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Gina Fairley is ArtsHub's Senior Contributor, after 12 years in the role as National Visual Arts Editor. She has worked for extended periods in America and Southeast Asia, as gallerist, arts administrator and regional contributing editor for a number of magazines, including Hong Kong based Asian Art News and World Sculpture News. She is an Art Tour leader for the AGNSW Members, and lectures regularly on the state of the arts. She is based in Mittagong, regional NSW. Instagram: fairleygina