How do artists and cultural institutions shape the conversation on war and conflict?

Kat Rae's powerful Prize-winning work furthers the discussion on how Australia considers conflict through art.
Napier Waller Art Prize-winner 2024 Kat Rae, ‘Deathmin’ (detail), 2023, stacked paper, vinyl, plastic, leather, metal. Image: Supplied. Folders of paperwork stacked on top of each other against the wall, with a green army bag placed on top.

Content warning: The following story discusses suicide and domestic abuse.

The Prize is a counterpoint to the Official War Art Scheme, which deploys professional artists into conflict zones to document, record and interpret the Australian experience of conflict.

This collection began with the Official War Art Scheme, which was established during the World War I and predates the Memorial itself, which opened in Canberra during World War II. It remains one of the largest and longest running commissioning programs of works of art in Australia.

Unlock Padlock Icon

Unlock this content?

Access this content and more

Sophia Halloway is an arts writer and critic based in Kamberri/Canberra. She was 2020 Critic-in-Residence for Art Monthly Australasia and has been a regular contributor to Art Monthly Australasia, Art Almanac, ArtsHub and others. She has held arts management roles at cultural institutions including the National Gallery of Australia, Museum of Contemporary Art and the National Museum of Australia. She has a First Class Honours degree in Art History & Curatorship from the Australian National University. Instagram @sophiahalloway_