Can you sustain a studio practice in Tasmania?

Weighing up the challenges with the wins, ArtsHub speaks with four artists on placing their studio practice in Tasmania.
Female painter in blue overalls in studio setting. Meg Walch. Tasmania.

Earlier this month, artist Zoe Grey was awarded the 2024 Hadley’s Art Prize. It was not only affirmation for the artist in her late twenties, but its $100,000 winnings will allow her to build a new studio – further entrenching her commitment to making in Tasmania.

Speaking with Grey, ArtsHub learns she will use her prize winnings to build a studio in the remote town of Marrawah – six hours from Hobart on the north-west coast – effectively making her studio practice more “isolated”.

Unlock Padlock Icon

Unlock this content?

Access this content and more

Gina Fairley is ArtsHub's Senior Contributor, after 12 years in the role as National Visual Arts Editor. She has worked for extended periods in America and Southeast Asia, as gallerist, arts administrator and regional contributing editor for a number of magazines, including Hong Kong based Asian Art News and World Sculpture News. She is an Art Tour leader for the AGNSW Members, and lectures regularly on the state of the arts. She is based in Mittagong, regional NSW. Instagram: fairleygina