Appearing trick: Magic claims its place as an art form

Skilled performers are breaking down stereotypes that conjure stage magic as confined to white rabbits and floating women.
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Magician Lee Cohen (image supplied)

Most of us have experienced the magic show of childhood birthday parties: all top hats, white rabbits and cheesy banter, or perhaps the glittering Vegas-style productions featuring floating women, scantily clad assistants, and disappearing guests.

We rarely think of either as art. But just as bad dance, bad theatre and bad singing can scarcely be called art, the same is true of magic. ‘And the problem is that most people don’t actually get to see good magic,’ said Tim Ellis, Artistic Director of the Melbourne Magic Festival

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Richard Watts is ArtsHub's National Performing Arts Editor; he also presents the weekly program SmartArts on Three Triple R FM, and serves as the Chair of La Mama Theatre's volunteer Committee of Management. Richard is a life member of the Melbourne Queer Film Festival, and was awarded the status of Melbourne Fringe Living Legend in 2017. In 2020 he was awarded the Sidney Myer Performing Arts Awards' Facilitator's Prize. Most recently, Richard was presented with a Lifetime Achievement Award by the Green Room Awards Association in June 2021. Follow him on Twitter: @richardthewatts