AI FOMO? Why cool heads are needed in the arts

Two speakers at the ACMI FACT Symposium took a critical stance amid pressures for those in the arts and cultural sectors to jump on the AI bandwagon.
Katrina Sluis presenting 'Looking at the Machine' at ACMI Future of Arts, Culture & Technology Symposium 2024. Photo: ArtsHub. A presentation slide on stage outlining the AI imaginaries of the art museum. The content of the slide is discussed in the article.

‘The information age has ended, and we have entered the age of noise,’ declared Eryk Salvaggio at ACMI’s Future of Arts, Culture and Technology Symposium (FACT) 2024 on Wednesday (14 February). In the session titled ‘Looking at the Machine’, Salvaggio assessed the state of digital and artificial intelligence (AI) technologies in relation to how we consume images, sound, knowledge … everything that’s “out there”.

Salvaggio explained: ‘We moved from the noise of billions of images taken from our noisy data-driven visual culture, isolated them and dissolved them into the literal noise of an empty jpeg to be recreated again into the noise of more meaningless images generated by AI, among the noise of billions of other images – a count of images that already overwhelms any one person’s desire to look at them.

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Celina Lei is ArtsHub's former Content Manager. She has previously worked across global art hubs in Beijing, Hong Kong and New York in both the commercial art sector and art criticism. She took part in drafting NAVA’s revised Code of Practice - Art Fairs, and was the project manager of ArtsHub’s diverse writers initiative, Amplify Collective. Celina is based in Naarm/Melbourne. Instagram: @lleizy_