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Australian undercurrents: Why curators are (still) fixated on water

In case you haven’t noticed, Australia’s visual art scene is experiencing waves. ArtsHub dives into these watery synergies.

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Exhibition review: Bridget Currie - Message from the Meadow, ACE Open, Adelaide

The clay pieces are noted as being organic, abstract forms made intuitively by the artist and described as 'things that…

Ben Quilty The Beach, installation view Tolano Galleries, 2021.
Features

The exhibition no one saw – artists speak on coping with closures

With so many exhibitions cancelled, ArtsHub spoke to artists about the knock-on effects of gallery closures, and the toll it's…

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Exhibition review: Jacobus Capone, Beating Heart, Fremantle Arts Centre

A solo exploration into human and environmental fragility.

Louise Partos Artback NT
Career Advice

On leadership in the Top End with Louise Partos

‘I have done my bit. Now it needs someone to come in and grow it.’ Louise Partos transitions from 14-years…

Three workers collaborating over a computer.
Features

Why Australia’s national gallery standards need a revamp

A national taskforce is going over the standards that museums and galleries adopt, ensuring best practice in our changing world.…

Features

No vax, no entry for galleries in the future?

As venue vaccination passports become mandatory in New York, will Australian galleries and museums follow in future?

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Artspace 'hotdesks' at NAS, tapping legacy to support emerging careers

Artspace’s gallery redevelopment will herald new collaborations at their temporary home, the National Art School.

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Exhibition Review: Fiona Foley, Veiled Paradise, QUT Art Musuem

Foley's 30-year survey weaves land, lust and desire through her far-ranging collection.

Child viewing museum object.
Features

Is art and cultural history still relevant to the present?

From a First Nations lens to putting community-led conservation first, writer Vyshnavee Wijekumar examines the role of collections today, and…

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