Digital intimacies and echoes in space

Roslyn Orlando's work explores connection and togetherness in the digital realm.
Evasion Score II (Domestic Security), 2021. Image: Roslyn Orlando

The sound of wind rushes past your ears. The windows seem to rattle. A human voice rings out: ‘Yes and yes and yes and …’

A work by Roslyn Orlando, Ekhō (2020) takes its name from the mountain nymph of Ancient Greek myth, famous for having been punished by the goddess Hera and sentenced to being only able to repeat the last few words spoken to her.

In this same essay, she notes that while there are experiences of intimacy that can only be had face to face (or f2f, as Hjorth refers to it in textese), there are others that are unique to the digital. Complex emotional exchanges can occur over text, in total silence:

Unlock Padlock Icon

Unlock this content?

Access this content and more

Claire Osborn-Li graduated from the University of Melbourne after finishing an Honours thesis in Art History. Now she writes about video games, and where possible, examines its intersection with contemporary art and art theory.