Suzannah Conway

Suzannah Conway is an experienced arts administrator, having been CEO of Opera Queensland, the Brisbane Riverfestival and the Centenary of Federation celebrations for Queensland. She has been writing reviews and music articles for over 15 years and regularly reviews classical music, opera and musical theatre in particular for The Australian and Limelight magazine as well as other journals.

Suzannah's Latest Articles


Theatre review: Putting it Together

A joyous tribute to Sondheim’s memory via his 1992 musical revue.


Concert review: Skyfall, Brisbane Festival

Though strong on content and delivery this concert featuring music from James Bond lacked the innovative sizzle expected from the…


Theatre review: Ishmael, Brisbane Festival

Despite clever technological effects, a reimagining of Moby Dick is a bold experiment that fails to ignite.


Theatre review: Boy Swallows Universe, Playhouse theatre, QPAC, Brisbane

Trent Dalton's bestseller hits the stage in a meticulous adaptation that explores its light and dark themes.


Theatre Review: Prima Facie, Queensland Theatre

A relevant and deeply disturbing indictment of how our legal system routinely fails sexual assault victims


Music review: Greatest Mozart 1, Canberra International Music Festival

Some very fine playing in an all Mozart program but acoustical issues leave us wanting more.


Music review: Hand to Earth, Canberra International Music Festival

Hand to Earth offered an extraordinary insight into the ceremonies of our First Nations peoples.


Music review: Do I Matter?, Canberra International Music Festival

Do I Matter? distills the thoughts of some 200 women to a confidential survey about their private thoughts, though the…


Music review: Opening Gala, Canberra International Music Festival

This musical melange of Vienna meets Canberra was well represented in this Opening Gala with classical and contemporary works.


Music review: Your Song, The Little Red Company

The Little Red Company is a quality independent production house, creating original works that offer alternative show experiences.

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