Pamela See

Pamela See (Xue Mei-Ling) is a Brisbane-based artist and writer. During her Doctor of Philosophy (PhD) from Griffith University, she researched post-digital applications for traditional Chinese papercutting. Since 1997, she has exhibited across Europe, Asia, North America and Australia. The collections to house examples of her artwork include: the Huaxia Papercutting Museum in Changsha, the National Gallery of Australia (NGA) in Canberra, and the Art Gallery of South Australia (AGSA) in Adelaide. She has also contributed to variety of publications such as: the Information, Medium and Society Journal of Publishing, M/C Journal, Art Education Australia, 716 Craft and Design, and Garland Magazine.

Pamela See's Latest Articles

A range of colourful sculptures are affixed on the wall.
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Exhibition review: Some of those Spaces Tween Life and Death, Woolloongabba Art Gallery

Amid the aftermath of Tropical Cyclone Alfred, a rare gem of the South-East Queensland art scene seems to have been…

A series of vases on plinths. Some are plain, others are blistered.
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Exhibition review: Rachel North: Anthology of memory, Ipswich Art Gallery

An emerging ceramicist from regional Queensland embodies the Japanese principle of wabi sabi this International Women’s Day.

A gallery space showing paintings full of colour and patterns by Karl Shoobridge.
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Exhibition review: Karl Shoobridge: Etymologies, ArtSpace Teneriffe

As a cyclone bears down on Meanjin/Brisbane, ArtSpace Teneriffe has opened with an exhibition to brighten the dampest of spirits. 

Two depictions of mountain ranges.
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Exhibition review: A Bigger View, HOTA

Referencing the work of David Hockney in its title, 'A Bigger View' broadens perspectives for visitors to HOTA.

A pyramidal structure consisting of bricks and small bowls.
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Exhibition review: Re-Stor(y)ing Oceania, Artspace Sydney

An invitation is extended to partake in cultural and ecological restoration.

On a pink wall, two video screens are set next to each other.
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Exhibition review: Contact Zone: Victoria Wareham, Metro Arts

The screen and its relationship with the viewer.

Colourful artwork with different patterns from Yuriyal Bridgeman depicted in panels upright and on the floor.
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Exhibition review: Yuriyal Bridgeman: yubilong(mi)bilongyu, Griffith University Art Museum

This survey investigates the significant mark Yuriyal Bridgeman has made on Australia’s post-colonial arts landscape.

A fabric and skeleton of a dinosuar arranged on a balustrade by artist Mark du Potier.
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Exhibition review: Mark du Potiers: Some Days My Skin Just Isn’t So Thick, Queensland Multicultural Centre

Queer Asian Australian artist, Mark du Potiers, delicately deconstructs discrimination through his assemblages and needlework.

A series of colouful bendy sculptures by artist Renee Kire are enclosed in glass.
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Exhibition review: Renee Kire: Twist and Turn, Rockhampton Museum of Art

Renee Kire addresses women’s minimalist sculpture.

A number of small ceramic artwork are attached to two white walls.
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Exhibition review: Searching Chords: Susie Choi, Mitchell Fine Art

Through her porcelain slip-cast inflatables, Susie Choi captures the zeitgeist of a generation.

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