Jenna Schroder

Jenna Schroder is an emerging arts critic, with a background in dance and voice, and an organiser at the Media, Entertainment, Arts Alliance. Outside of her union activism, Jenna can be found performing at The Improv Conspiracy, around the Melbourne comedy scene and producing independent work across multiple platforms. Twitter: @jennaschroder00

Jenna's Latest Articles

A man in shadow is crouched over in the centre of the room. Around him are four people, two standing on chairs. They are throwing bit of paper in the air. The lighting is awash in red and white spotlight. Elegies: A Song Cycle.
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Theatre review: Elegies: A Song Cycle, fortyfivedownstairs

A new production company makes its premiere with a slick and funnier than expected rendition of songs about losing loved…

A woman with brown hair and a pink dress and an open book on her lap is sitting next to a man dressed up as a beast, with horns and facial hair. There is a backdrop of a library.
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Musical review: Beauty and the Beast the Musical, Her Majesty's Theatre

A fun night out for the whole family thanks to theatrical magic and big budget spectacle. 

Natalie Gamsu. Photo: Marija Ivkovic. A person smiling brightly wearing a red top and black skirt, which she is holding in her hand.
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Theatre review: Shrapnel, fortyfivedownstairs

A production that celebrates Natalie Gamsu and invites the Jewish South African community to recall memories of their formative years.

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Opera review: Tosca, Margaret Court Arena

After not bringing staged operas to Melbourne last year, Opera Australia’s production of 'Tosca' wasn’t enough to quench the audience's…

Brooklyn Rider. A Black and white image of four men clowning. One has his arms out and one leg in the air, the other three sit around him, one gesticulating with his viola, one with his hands on his head and the third siting quite demurely with his hands holding an iPhone.
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Music review: Brooklyn Rider – The Four Elements, Melbourne Recital Centre

A program that grappled with climate change was performed with aplomb by the New York string quartet.

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Performance review: The Wharf Revue: Pride in Prejudice, Union Theatre

In its 25th year, The Wharf Revue is a well-oiled production, but the writing has a few hiccups. 

Candide. A group of flamboyantly dressed 18th century figures gather around a bare chested central figure.
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Theatre review: Candide, Palais Theatre

Operatic technique played second fiddle to a hilarious and hugely enjoyable production. 

Titanic. Image is of a replica grand staircase from the ill-fated Titanic passenger ship, on display at Melbourne Museum.
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Exhibition review: Titanic: The Artefact Exhibition, Melbourne Museum

An easy one-hour amble through a well-trodden historical event with less focus on the Titanic’s artefacts than the exhibition title…

The Inheritance. A group of men on a dimly lit stage, with two spotlit in the centre hugging.
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Theatre review: The Inheritance, fortyfivedownstairs

A theatre marathon about the intergenerational relationships, romantic or otherwise, of a gay community in New York City. 

Australian Gothic Tales. Five men and women stand in front of a red curtain looking at the camera and smiling.
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Theatre review: Australian Gothic Tales, The Butterfly Club

A lacklustre presentation of Australian stories that sidesteps Gothic elements entirely.

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