Social practice: embedding art in community

Looking back over 12 years of social practice in Sydney’s West, Curator Anne Loxley speaks to ArtsHub about how C3West has shaped new modes for cultural engagement and defined communities.
[This is archived content and may not display in the originally intended format.]

Artist Hannah Brontë will be creating a Mount Druitt Block Party as part of C3West’s August project; Still I Rise, 2016. Image courtesy and © the artist.

Recognition of that hotbed for culture has been slow. And while the spotlight has been directed on more contentious moves West, such as that of the Powerhouse Museum, a quieter, more immersive arts program has been collaborating with community and business for over a decade across the breadth of Western Sydney.

Unlock Padlock Icon

Unlock this content?

Access this content and more

Gina Fairley is ArtsHub's Senior Contributor, after 12 years in the role as National Visual Arts Editor. She has worked for extended periods in America and Southeast Asia, as gallerist, arts administrator and regional contributing editor for a number of magazines, including Hong Kong based Asian Art News and World Sculpture News. She is an Art Tour leader for the AGNSW Members, and lectures regularly on the state of the arts. She is based in Mittagong, regional NSW. Instagram: fairleygina