A new season of culture is about to be launched at Chatswood with Culture Bites 2022.
Kick starting the annual program will be the second iteration of the highly acclaimed collaboration between physical theatre extraordinaire troupe Legs On The Wall and Willoughby Symphony Orchestra, entitled Next Chapters II: Above Below.
The one-off aerial and musical experience premieres at the The Concourse, Concert Hall on 19 March.
The unmissable opportunity for Legs to work within a concert space is something which initially drew the team towards Next Chapter I in 2021, Artistic Director Joshua Thompson told ArtsHub.
āLegs hardly ever sits in an [indoor] space. We mostly perform outside, we come into the theatre now and then but definitely not into a concert sort of setup,ā said Thompson when he first stepped into The Concourse to envision the project.
He continued: āIāve always wanted to do a piece that elevates both aspects of the physicality and the composition. And in this room [the concert hall], I just thought itād be great to fill the air as well ā not only just fill the space with sound but fill the air with performances.ā
The experimentation of Next Chapters I meant that the team now has more time to fine-tune aspects of the performance.
āThe partnership [with WSO] is in a good place ⦠After that first performance I spoke with Sarah [Penicka-Smith], the Conductor, on working together more in a physical manner,ā said Thompson. Turned out sheād always loved to fly but it was lead soprano Susannah Lawergren that turned on the light bulb moment and will be joining the three Legs aerialists.
The excitement can be felt through Thompsonās words, who pointed out that flying the soprano while allowing her voice to sing out unconstricted will be a feat in itself. āItās that feeling where she will almost float with her own voice,ā he added.
An element of excitement and surprise will run through the show, as Legs and WSO break the mould of what an orchestral performance can be.
Most importantly, Thompsonās vision is about creating a refreshing, rather than completely unfamiliar, experience.
āPeople are going to see the orchestra ā thatās an important thing and definitely not second to what weāre doing.ā
Thompson continued: āThe beauty about this collaboration is asking āActually, how do we bring along the audiences of the orchestra and not interfere with what they love? How do we bring along the Legs audience, the live performance stuff, and meet them both in the middle in a way that actually should both lift each other, as opposed to one being back or front, one being outward facing or not?ā
During the performance, there will be moments where the performers are still, allowing the music to act as the leading voice, said Thompson. āIt really sort of bounces like a metronome between the two as the story unfolds over the night.ā
Audiences can look forward to orchestral highlights including renowned Australian composers Elena Kats-Cherninās Russian Rag and Wild Swans Suite, and Graeme Koehneās Just Walk Beside Me. In addition, Matthew Hindsonās Stars Above Us All and Mein Weg from Estonian composer of classical and religious music, Arvo PƤrt, will transport the experience to another world.
Furthermore, āthe whole piece will be built with a narrative arc, where last time [the music and physical theatre] sort of sat as islands,ā said Thompson. āThis is an actual collaboration coming together that started and is driven from the joining of these two companies ⦠Iām looking forward to this because it feels like a much more fruitful and wholesome engagement,ā he concluded.
Donāt miss thisĀ one-offĀ performance ofĀ Next Chapter II: Above BelowĀ at The Concourse Concert Hall on 19 March 7pm; tickets now on sale.