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Immersive review: The Door in Question, 47 Paisley St, Footscray, Sleepless Footscray FestivalÂ
A heady mix of VR, interactive AI and immersive theatre take over a series of empty rooms and suburban streets…

Theatre review: Happy Days, Wharf 1 Theatre, Sydney Theatre Company
Lead actor and co-director Pamela Rabe shines in this staging of a classic Samuel Beckett play.Â

Book review: Always Home, Always Homesick, Hannah Kent
Hannah Kent's first non-fiction book retreads the grounds of her Iceland-set bestseller, 'Burial Rites.'

Festival review: DreamBIG Children's Festival BIG Family Weekend, Adelaide Festival Centre
The DreamBIG Children’s Festival celebrated 50 years of inspiring children’s imaginations through art.

Exhibition review: A Narrow Strip Along a Steep Edge, Fort Lytton, Brisbane
An artistic activation of a Victorian-era fort in Brisbane could signal a passing of the (avant) guard.

Theatre review: The Wrong Gods, Belvoir St Theatre
This thought-provoking but not entirely satisfying tale by S. Shakthidharan explores the cost of progress and development in 20th century…

Theatre review: The Lover and The Dumb Waiter, Ensemble Theatre
A double dose of classic Pinter plays.

Opera review: Flight, Her Majesty’s Theatre
State Opera South Australia’s ‘Flight’ is opera for our times.

Book review: Rytuał, Chloe Elisabeth Wilson
Friday night drinks are not what you'd expect at this cult beauty company.

Performance review: UPU, Sydney Opera House
A poetic expression of the Pacific, its people and their stories.