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black and white sculpture made from ceramics and twine. Danish Quapoor.
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Exhibition review: good grief, Danish Quapoor, Pinnacles Gallery

Ambitious and confident, Danish Quapoor's cohesive exhibition was four years in the making.

Nani Puspasari. Image is a ceramic of an orange creature with a facemask like appearance, little legs and arms.
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Exhibition review: Nani Puspasari, Manningham Art Gallery

Chinese-Indonesian artist Nani Puspasari weaves a vibrant universe between childhood and adulthood.

Exhibition view of hanging organic paper paintings. Neoterica
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Exhibition review: Neoterica, Adelaide Festival

20 artists and 20 writers commissioned in a celebration of South Australian contemporary art.

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Exhibition review: Ten Thousand Suns, 24th Biennale of Sydney

An exhibition shaped by global connections and new learnings – a refreshing edition of the Biennale of Sydney.

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Exhibition review: Adelaide Biennial: Inner Sanctum, AGSA

Forcing a rethink of how we view exhibitions, José Da Silva's Adelaide Biennial plays off our 'Inner Sanctum'.

Installation of glass in gallery setting. Yhonnie Scarce.
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Exhibition review: Yhonnie Scarce: The Light of Day, Art Gallery of WA

A survey exhibition that reveals obscured histories and difficult truths in quiet, yet spectacular ways.

Orange glazed ceramic sculpture in orange painted gallery. Mai Nguyen Long
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Exhibition review: Mai Nguyễn-Long, Kôgábịnô, Wollongong Art Gallery

Claiming agency over lost identity and language, Mai Nguyá»…n-Long delivers a cohesive and confident exhibition of ceramic sculptures.

LISA GORMAN + MIRKA MORA, installation view at Warrnambool Art Gallery. Photo: Supplied. An exhibition space partitioned with orange, dark turquoise and pink sheer curtains. In front of the curtains hang embroideries by Mirka Mora and clothing by Gorman x Mirka.
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Exhibition review: LISA GORMAN + MIRKA MORA: To breathe with the rhythm of the heart, Warrnambool Art Gallery

A lyrical and symbiotic pairing of fashion design, sculptural installations, painting, embroideries and more by two Australian icons.

‘John Meade: It’s Personal!’ installation view at McClelland Gallery. Photo: ArtsHub.
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Exhibition review: John Meade: It’s Personal!, McClelland Gallery

Humble in scale, but deliciously rich, John Meade’s solo exhibition plays on form and entices intimate viewing.

Donna Marcus mesmerises audiences with the mass and variety of vintage cookware she collected, sorted and assembled. 'Radiate' installation view at HOTA. Photo: ArtsHub. Red, blue and silver wall sculptures made of aluminium parts and arranged in different patterns arranged on a white wall.
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Exhibition review: Donna Marcus, Radiate, HOTA

An exhibition that reflects the integral role women have played in feeding the growth of Australia as a nation since…

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