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Two panels. On the left is Alicia Sometimes, who has brown hair. On the right is the cover of her book, Stellar Atmospheres. It's is pinkish peach in hue and has random shapes on it.
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Book review: Stellar Atmospheres, Alicia Sometimes

A poetry collection that blends lyricism with astronomical marvels.

Two panels. On the left is Amanda Anastasi, a woman with long brown hair wearing a dark top. On the right is the cover of her book, Taking Apart the Bird Trap. It features a black and white illustration of a birds away from the top of a woman's head.
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Book review: Taking Apart The Bird Trap, Amanda Anastasi

This poetry collection explores life, loss and death in the western suburbs of Melbourne.

Two panels. On the left is Eileen Chong, who has short black hair and is wearing a top with yellow sunflowers. On the right is the cover of her book, 'We Speak of Flowers', which has pink flowers on it.
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Book review: We Speak of Flowers, Eileen Chong

A masterful collection that succeeds as an outpouring of love and exploration of grief.

Two panels. On the left is of Peter Kirkpatrick, who ha white hair and is wearing a white shirt. On the right is the cover of his book, 'The Wild Reciter' that features a kookaburra in a suit.
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Book review: The Wild Reciter, Peter Kirkpatrick

The shifting historical commingling of poetry and popular culture.

Two panels. On the left is poet Jazz Money. She has blonde hair and is wearing a yellow top. On the right is the cover of her book 'mark the dawn' which is yellow and covered in random markings.
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Book review: mark the dawn, Jazz Money

Jazz Money's second poetry collection is a lyrical and fierce reckoning of contemporary life.

Two panels, On the left is photo of Rupi Kaur, an Indian-Canadian woman. She has long black hair and is wearing an off the shoulder green top. On the right is her book, Milk and Honey, in red and pink. There are bee illustrations on it.
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Book review: Milk and Honey: 10th Anniversary Collector's Edition, Rupi Kaur

The bestselling Instapoet returns with an anniversary edition of her debut book.

Two panels. On the left is a profile photo of Isabella G Mead. She has brown hair and is wearing a blue patterned top. On the right is the cover of her book, with 'The Infant Vine' in white font against a picture of a brownish plant.
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Book review: The Infant Vine, Isabella G Mead

This debut collection of poetry plays with the intersection between motherhood and the natural world.

Venus Without Furs. On the left a shot of the author, who is a middle aged white woman with short brushed back grey hair. She has glasses on her head, a green and black dress and is standing in front of a microphone reading from a book. On the right is a book cover showing an artistic nude looking to the right and her mirror double looking to the left.
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Book review: Venus Without Furs, Gabrielle Everall

A collection of poetry that riffs and talks back to Leopold von Sascher-Masoch, author of notorious classic 'Venus in Furs'.

Raw Salt. Image is a young woman with long dark wavy hair on the left standing in front of external foliage, body turned slight to her right, wearing black polo neck jumper under black and white patterned sleeveless dress. She has dark red lipstick and a slight smile. On the right is a book cover of close-up of a public phone push button pad, above the book's title in a grey stripe at the bottom.
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Book review: Raw Salt, Izzy Roberts-Orr

This debut poetry collection canvasses death and the environment, mourning and memory.

Ghost Poetry. On the left is a book cover with a close-up of a horse's face. On the right is an author image of a young man in a field, with his hands in his pockets and looking off to the right.
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Book Review: Ghost Poetry, Robbie Coburn

A poetry collection that reflects deeply on trauma, loss and hope.

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