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Data Dreams: Art and AI review: exploring artist-AI collaborations
Sydney’s MCA leads a timely institutional conversation with a major summer exhibition that replaces fear of AI with a human…
Chanel Tobler at Nasha Gallery: 'Colour can be a form of medicine'
Emerging artist Chanel Tobler moves fluidly between mediums in this solo exhibition at Sydney's Nasha Gallery.
Christopher Kulendran Thomas review: rethinking safe zones through AI
In Safe Zone, Christopher Kulendran Thomas uses AI to ask powerful questions about how we record and relate to histories…
Clarice Beckett and Mirra Whale review: a shared vision across generations
Nearly a century apart, these women artists demonstrate the enduring appeal of the still life at Ngungunggula regional gallery.
360° – A Visual Journey review: Mandurah exhibition explores repetition, environment, perspective and translation
The eighth solo exhibition from Gisela A. Züchner-Mogall is showing at Mandurah Performing Arts Centre until 21 November.
Dangerously Modern review: fearless women artists who disrupted the male canon
Rewriting Australian art history, ‘Dangerously Modern’ at the Art Gallery of NSW is equally erudite and entertaining.
Janet Dawson: Far Away, So Close review: a well-earned retrospective
The Art Gallery of NSW maps out Janet Dawson’s career highpoints – an inspiration for artists working today
Mostyn Bramley-Moore: Stimming review – narrative in abstraction
The works in Mostyn Bramley-Moore’s new exhibition provoke feelings of elation ... and something deeper.
Yolŋu power review: the Art Gallery of NSW's landmark look at Yirrkala innovation
Eight decades of Yolŋu art and culture take viewers through an art movement that has garnered world acclaim.
Tom Polo review: in a part of your mind, i am you, Ngununggula Gallery
Tom Polo’s first major institutional solo exhibition is a cracker.
