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Switzerland. A theatre set of a writer's study with grey concrete walls, a two seater leather backed couch, a wooden coffee table and downstage a cluttered desk with a middle aged white woman working at a typewriter. Behind her a young white man has come through the door and looks nervous.
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Theatre review: Switzerland, Ensemble Theatre

Patricia Highsmith is all the rage at the moment, so it's a good time to stage Joanna Murray-Smith's play about…

The Roof is Caving In. La Mama Courthouse. Three young women on a stage draped in fabric. In the middle is a woman in white and light blue with her arms around a woman dressed in orange on the left and purple on the right. They are crouching under the middle woman's grasp and hold their belongings in boxes.
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Theatre review: The Roof is Caving In, La Mama Courthouse

A very topically-themed play about share housing.

Black Box. A grey-haired man stands on a small square rostrum on a stage wearing suit trousers, a white shirt and tie. Behind him is a narrow strip screen showing a map with a large aeroplane on the right.
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Musical review: Black Box, Cremorne Theatre, QPAC

An important Australian invention, the Black Box is being celebrated on stage in a new musical.  

VIVA. Elegant. In front of shiny red curtains, four female dancers pose on the stage, three downstage and one on a higher platform. They are all dressed in burlesque costumes, including thigh high boots.
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Performance and venue review: Elegant, VIVA

Melbourne has a new cabaret venue that offers food and drink as part of its entertainment offering.

Image: The Butterfly Club. The Librar(IAN) poster with a digitally edited image showing a portrait of a person smiling set against a bookcase.
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Theatre review: The Librar(IAN), The Butterfly Club

‘The Librar(IAN)’ is a semi-autobiographical hour of comedic theatre celebrating the important role libraries and librarians play in their local…

'JXSH MVIR: Forever I Live', installation view at Koorie Heritage Trust. Left to right: 'The Heart', 2016; 'Oxymoron', 2015; 'William Buckley - Maquette', 2016 (mixed media sculpture); 'Still Here', 2015; 'The Empire', 2015 (top); 'Ticket to Projection', 2015 (middle), 'Skip to my Lou', 2015 (bottom). Photo: ArtsHub. Digital illustrations of Melbourne landmarks with red, black and yellow background hang on the walls. In front of them is a small sculpture of a human figure on a bright yellow plinth.
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Exhibition review: JXSH MVIR: Forever I Live, Koorie Heritage Trust

When kinship is involved – it shows.

World Problems. Image is a woman in grey standing on a stage in front of the mouth of a tunnel, that looks as if it's lined in slate. There are boulders at her feet and we can see the silhouetted heads of the front row of the audience from behind.
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Theatre review: World Problems, Southbank Theatre

A solo show that spans near and far, borne of personal and global events.

Thunderhead. On the left is a book cover of clouds in a dark blue sky, with large pearls dotted across the cover, and the title running down the sides. On the right is a black and white headshot of a young white woman with long straight hair and a fringe.
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Book review: Thunderhead, Miranda Darling

Inspired by Virginia Woolf’s Mrs Dalloway, this novella explores coercive control. 

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Exhibition review: Mac Hewitt, Ellen Giannikos, Andrew Anka, Anthony Jackman, Gerard Russo, SOL Gallery

Mythical worlds, dreamlike vignettes, colour-drenched abstractions and twisted Dadaism all feature in SOL Gallery’s latest feast of Melbourne art. 

The Australian Ballet. Circle Electric. Bathed in a red glow a troupe of ballet dancers are assembled beneath a large neon hoop. The dancers are eclectic and in all sorts of shapes, one is held aloft surrounded by smoke.
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Dance review: Études/Circle Electric, Sydney Opera House

A double bill of dance that canvasses contemporary and classical works.

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