Search Results
![Reuben Kaye. Man with huge open mouthed lipsticked smile and extravagant eyelashes is under a striated spotlight.](https://www.artshub.com.au/wp-content/uploads/sites/2/2024/04/2024-412-65b732856c4d8-e1712272470184.jpeg?w=310)
Comedy review: Reuben Kaye, Apocalipstik, The Malthouse, MICF 2024
A force of deliciously bent nature, Kaye delivers again.
![](https://www.artshub.com.au/wp-content/uploads/sites/2/2024/04/mel-e1712114873749.jpg?w=310)
Comedy review: Mel & Sam: The Platonic Human Centipede, The Toff in Town, MICF 2024
Queer besties' new musical comedy is smart and ridiculous.
![A scaffolding like set has several bodies positioned within it silhouetted against a lit backdrop. The Threepenny Opera.](https://www.artshub.com.au/wp-content/uploads/sites/2/2024/03/the-threepenny-opera-1-1116-x-652.jpg?w=310)
Opera review: The Threepenny Opera, Her Majesty's Theatre, Adelaide Festival
Searing satire and a rage against capitalism wrapped up in a love story.
![Peter Cat Recording Co. Photo: Supplied. A five-person band from New Delhi. A group photo where the members are sitting, standing or hanging upside down.](https://www.artshub.com.au/wp-content/uploads/sites/2/2024/01/IMG_3958-e1706677716383.jpeg?w=310)
Performance reviews: Smashed: The Nightcap, The Chosen Haram and Peter Cat Recording Co., Sydney Festival
A smorgasbord of cabaret, theatre and live music at the Sydney Festival.
![Dangerous Goods. Three black clad performers wear T shirts that say 'show up' and sing into microphones while spotlights shine down on them.](https://www.artshub.com.au/wp-content/uploads/sites/2/2024/01/dangerous-JadeEllis-highres-697-4.jpg?w=310)
Performance review: Dangerous Goods, QPAC
A high-octane cabaret that includes circus, aerials, drag and burlesque.
![A Very Naughty Christmas. Group of young people in Christmas clothes preening for the camera.](https://www.artshub.com.au/wp-content/uploads/sites/2/2024/01/A-Very-Naughty-Christmas_Full-cast_credit-James-Terry.jpg?w=310)
Cabaret review: A Very Naughty Christmas, Alex Theatre
A Christmas-themed show that felt divorced from anything remotely boundary-pushing, gender-bending or creative.
![A male aerialist has suspended under a white spotlight.](https://www.artshub.com.au/wp-content/uploads/sites/2/2023/12/GATSBY_at_The_Green_Light_ImageCredit_PrudenceUpton_349b.jpg?w=310)
Performance review: Gatsby at the Green Light, The Studio, Sydney Opera House
Craig Ilott and Stuart Couzens have adapted 'The Great Gatsby' into an exhilarating performance set in a 1920s bar. Â
![Melbourne Fringe. Two women with bustieres and frill collars, plus high ponytails face the camera.](https://www.artshub.com.au/wp-content/uploads/sites/2/2023/10/HIGH_PONY-I-Got-Shot-By-Charlie-1-e1696998216984.jpg?w=310)
Performance Reviews: HIGH PONY, LOOPS, Black Widow, Melbourne Fringe Festival
Four Melbourne Fringe Festival works show the range on offer, from comedy to circus, cabaret and street tours.
![Lady Day. Image is a woman in a white dress backed by a trio singing into a mic in front of an audience.](https://www.artshub.com.au/wp-content/uploads/sites/2/2023/10/383156208_712057597635258_4161187331956434231_n-e1696991924686.jpg?w=310)
Theatre review: Lady Day at Emerson's Bar & Grill, Belvoir St Theatre
Every element of this journey into the closing stages of Billie Holiday's life and career is entrancing from start to…
![Tender. A tangle of naked bodies on a steel cube against a black background.](https://www.artshub.com.au/wp-content/uploads/sites/2/2023/10/tender.jpg?w=310)
Performance review: Tender, the Vault, Sydney Fringe Festival
This circus cabaret hybrid explores a disassembling of gender constructs in its fluid meld of bodies.