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A million moments in mid-air: why Gravity & Other Myths, and our sector, need a new way forward
Touring live performance in today's world is getting harder, perhaps there's a better way of organising funding for the touring…
'It’s OK to reach out': why the Support Act Wellbeing Helpline matters for creatives
Much more than just a crisis resource, the helpline can make all the difference for creatives facing the challenges of…
Book review: Autocorrect, Etgar Keret
Etgar Keret is back with 33 short stories about life, the universe and everything in between.
Metamorfoza at the 2025 Belfast Photo Festival
A photographic look at the evolving landscapes of Polish ecology and society.
Major gifts for NSW galleries before EOFY by Mordant and Medich families
Newcastle Art Gallery and Powerhouse are the winners of program-altering major gifts by the Mordant and Medich families.
Performance review: Elements of Freestyle, Joan Sutherland Theatre, Sydney Opera House
A fusion of urban arts and classical music with multigenerational appeal.
The problem behind sensational damage in galleries
From the Van Gogh-inspired Swarovski chair to closures at the Louvre – damage and security staff shortages present a new…
Opera review: Aphrodite, Carriageworks
A collaboration between the Sydney Chamber Opera and Omega Ensemble that favours cerebral engagement over emotional impact.
Theatre review: Blackrock, The MC Showroom
Nick Enright's 'Blackrock' is sadly as relevant today as it was in 1995 when it was first performed.
Theatre review: Happy-Go-Wrong, fortyfivedownstairs
This exploration of chronic illness fuelled existential angst doesn’t make the leap from fringe festival circuit to the fortyfivedownstairs stage.
