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Separating the art from the badly behaved artist – a philosopher’s view
The history of art is full of artists who were cruel, exploitative, prejudiced or predatory. But should the character of…
Our top reads for modern libraries
Paying a nod to Libraries & Information Week, we delve into the archive for the most popular stories on the…
Review: Cunning Little Vixen, State Opera (SA)
A rapturous affirmation of life, love, and opera, with surprisingly contemporary themes.
How to successfully collaborate with your partner
We speak with creative couples who haven’t let their work ruin their relationship.
On the move: the latest appointments and resignations
Researchers appoint to shape think tank, new board members for Circus Oz, Vitalstatistix and Terrapin, and more job announcements.
Heteronormativity, censorship, and the queer artists facilitating change
On the International Day Against Homophobia, Biphobia, Intersexim and Transphobia (IDAHOBIT) we speak with queer artists about the importance of…
Review: Così Fan Tutte, Arts Centre Melbourne
Opera Australia’s production is a beautiful escape for the soul and the senses.
Sure, promise me an artist fee - then not pay me
32 artists affected by the Biennale of Australian Art (BOAA), band with NAVA to expose the unpaid contracts.
Board member with limited arts experience takes key Black Swan role
The abrupt announcement that board member Danielle Norrish will replace Natalie Jenkins as Executive Director of Black Swan State Theatre…
Review: Yoga Clowns of the Apocalypse, Salamanca Arts Centre (TAS)
Highly visual and physically engaging, this absurd clown show quickly became a buzz around Hobart.
