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Hamlet Camp review: 'To be, or not to be' as an occupational hazard
Quick, funny, and uncomfortably human, Hamlet Camp drags you into a world where art won’t let go, and neither will…
Cluedo review: comedy-thriller brings the board game to life
A board game turned cult film turned stage show, Cluedo is screwball comedy crowd pleaser.
The Comedy of Errors review: a riotous modern take on Shakespeare's comedy
Sport for Jove's production of The Comedy of Errors gives the Bard's absurd comedy a few modern twists.
Diva review: mighty goddesses unite in this glittering exhibition
The first exhibition at Melbourne's new Australian Museum of Performing Arts is a star-studded look at the diva through the…
Soul of Possum review: a First Nations perspective on first contact
With Soul of Possum, playwright Brodie Murray balances a coming of age story against a moment of first contact –…
Born on a Thursday review: violence, force and fervour
Jack Kearney’s simmering Born on a Thursday draws us into a typical Western Sydney home in 1998.
Iksha II review: myth made human at Seymour Centre
With brilliant dancers and bold ideas, Iksha II attempted to reframe the legendary figure of Ravana from The Ramayana.
One Night Only review: form-melting theatre that scoops us up
One Night Only, a new collaboration from Rawcus, presented by Darebin Arts Speakeasy, soars and swoops through time and place.
The Life and Death of King Lear review: maximal title, minimal production
In this telling of King Lear, Sydney’s Belvoir St Theatre presents a patchy, minimalist version of one of Shakespeare’s great…
UP THERE (Boorloo) review: journey into Perth's forgotten corners
Led by Up There Collective, UP THERE (Boorloo) is an unusual performance and walking tour that invites participants to see…
