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Review: Hrafn: Conversations with Odin, Dark Mofo (TAS)
This immersive sound installation in the depths of the Tasmanian bush is deceptively simple yet strikingly profound.
Ground rules for good governance
Because it can be a tricky thing, Kate Frykberg outlines her ground rules for boards working together in order to…
Top tips for working in a Writers' Room
Screenwriter Giula Sandler gives us advice on contributing and collaborating without being annoying.
ICYMI: A wrap of the week's arts news
$20,000 podcasting fellowship announced; National Gallery of Victoria releases 30,000 images as part of Open Access Program, plus all the…
Review: Monet: Impression Sunrise, NGA
A new exhibition brings to light a Monet work previously unseen in Australia that launched the movement.
A Lesson from Gen X women to Gen Y creatives
From mentorship to resilience, patience and power, Gen X women have learnt to navigate our male-dominated world for change –…
Why immersive works are immensely popular
Immersion challenges theatrical conventions – and raises pertinent questions around consent, reciprocity, and play.
New $5m cultural precinct opens in central Hobart
Occupying almost an entire city block, the new precinct represents a significant partnership between private developers and DarkLab, a subsidiary…
Disability access versus disability-led?
Our greatest hurdle today is recognising the shift needed from disability access and awareness, to disability-led and employment.
3 different immersive experiences
The Creative State Summit highlighted immersive works including hotels becoming sets and abandoned buildings becoming canvases.
