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Review: Daniel Buren: Like Child’s Play, Carriageworks

Daniel Buren uses steroid-sized children's building blocks to speak about our relationship with the world.

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Review: The Farmer's Daughter, Spare Parts Puppet Theatre

From mystical opening ‘til close of curtains, this gentle tale will keep you and your children entranced.

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Review: Rigoletto by Opera Australia

Classic opera; classic revenge, classic tragedy. Rigoletto's big opulent sets are matched by big voices and big entertainment.

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Review: Measured Response, NAS Gallery

A measured and beautiful exhibition that looks at how Indigenous artists use their bodies to explore narratives and culture through…

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Review: The Rolling Stone, Seymour Centre

You wouldn’t expect a play about anti-gay violence in Uganda to nail its comedy.

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Review: Permission to Spin, Old Fitz Theatre

It’s not easy to make a Happy Meal toy sound so sinister, but there you go.

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Review: Bukal, JUTE Theatre

Bukal is a story of humble beginnings, family, tradition and culture. Bukal is a story of an amazing woman.

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Review: Carrion, Arts House

Justin Shoulder's recent work Carrion demonstrates the change-making potential of embodied performance.

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Review: Spirit Realms – Sacred and Profane, Sydney Symphony Orchestra

A performance that failed to reach the exhilaration of its program.

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Review: Blackie Blackie Brown: The Traditional Owner of Death, Malthouse Theatre

Telling this story requires great strength, and the script holds a burning anger that can only be derived from deep…

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