Search Results
Review: Mad, Bad, Dangerous to Know by Colm Tóibín
By picking the fathers he did, Tóibín has made a brilliant choice and has produced an exceptional biographic work.
Review: Boundary Lines, Griffith University Art Museum
A compact exhibition that examines the role historic archive plays in contemporary fictions and realities.
Review Pinchgut Opera: Hasse’s Artaserse
Four-time Grammy Award-nominated special guest star Vivica Genaux shines.
Review: Invisible Things, Brisbane Powerhouse
Alex Mizzen delivers a commanding circus dance theatre piece in Invisible Things, spellbinding the audience with her one-woman show.
Review: 9 by 5 Exhibition, Walker Street Gallery & Arts Centre
The equivalent of an open mic for artists, 9 by 5 Exhibition places a premium on participation and values diversity…
Review: Sydney Dance Company's New Breed 2018
The current season of Sydney Dance Company's New Breed features four exciting and challenging works.
Review: The Merry Widow, Adelaide Festival Centre
The merriest of widows promises a night of pure pleasure with State Opera of SA and the Adelaide Symphony Orchestra.
Film Review: Creed II
With this follow-up to 2015’s Creed, the Rocky franchise delivers its first direct follow-up with heft and weight.
Review: Bottomless by Dan Lee, fortyfivedownstairs
Support our playwrights and go to see this original new work. It's original, lyrical, unsettling and yet gentle.
Review: Staatskapelle Berlin – Daniel Barenboim
Over three nights, Sydney audiences were granted a grand experience of excellence in orchestral art as well as the mature…
