Search Results
Review: Love, Displaced, Lawrence Wilson Art Gallery, Perth
Love, Displaced reminds us that we can still find empathy and pause in our era of 21st century screen culture,…
Review: A Family Outing – 20 Years On, Perth Festival
Twenty years after performing alongside her parents, Ursula Martinez revisits the conceit after her father's death and as her mother…
Review: MTC’s The Lady in the Van, and Malthouse's Barbara and the Camp Dogs
Melbourne’s two major theatre companies open significant productions a night apart, and never has the contrast between the companies been…
Review: David Goldblatt: Photographs 1948-2018, MCA
This important piece of South African history teaches global lessons in humanity, tolerance and environmental respect. It’s an exhibition for…
Review: Bodies of art: Human form from the National Collection, NGA
NGA Director Nick Mitzevich’s maiden exhibition traverses gender, genre and history when it comes to describing the body by putting…
Review: Zebra and Other Stories, by Debra Adelaide
Adelaide’s sharp, casual, to-the-point sentences are both silently aesthetic on the page and a pleasure to read aloud.
Review: The Wolves, Belvoir
The most powerful aspect of The Wolves is the dissonance between admiring the physical skills and focusing in on the…
Review: The Rise and Fall of Little Voice, Darlinghurst Theatre Company
A production designed with care and featuring performances pitched to bring the audience into the cacophony that fills the silences…
Review: Become the One at Gasworks, Midsumma Festival
A tragedy representative not only of queer athletes and their partners but of the Australian Football League's persistence in modelling…
Review: Borrowed Scenery, Campbelltown Arts Centre
A regional gallery rethinks its collecting future by commissioning a gender audit, and dives deep into timely narratives about its…
