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Reconciliation Week: 28 ways to play our part
From Truth Talking and keynote talks to kids' workshops, First Nations Arts Awards, exhibitions and First Nations theatre - we…
Vivid Sydney unveils its 2021 program
Vivid Sydney 2021 has announced more than 200 events celebrating the Harbour City.
Stage students find artistic inspiration in Dada and The Decameron
Devising new work using a Dada-esque ideation technique is just one of the creative ways students at Federation University Arts…
Exit interview: Kris Stewart, Brisbane Powerhouse
After eight years and 2,5000 productions, Kris Stewart has left the Powerhouse to take on a new role as CEO…
Create your own future in a collaborative culture of live performance
Be career-ready for your backstage future with the Diploma of Live Production and Technical Services at TAFE SA’s Adelaide College…
Music Review: Meow Meow’s Pandemonium, MSO
Meow Meow and the MSO join forces for a slapstick cabaret of mischief and Pandemonium.
Theatre Review: The Lifespan of a Fact
Melbourne Theatre Company plays fast and loose with fact and fiction.
On the Move: Latest sector appointments and departures
Powerhouse Museum appoints inaugural Director, First Nations; new GM for 4A Centre for Contemporary Asian Art; Curator Visual Arts joins…
Introducing new Music Tasmania CEO Keith Deverell
Taking on the challenges of helming an arts organisation in the wake of the pandemic was a chance for Keith…
Theatre that challenges ideas of Muslim Australian identity
When playwright Lur Alghurabi and ActNow’s CEO Yasmin Gurreeboo didn’t see Muslim Australians on stages, they created their own production.
