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A scene from WAAPA's new Australian musical by Eddie Perfect, 'Tivoli Lovely'. An elderly, grey-haired woman in a grey cardigan sits on a sofa in a nursing home as her showgirl memories of life on the Tivoli Circuit come to colourful life behind her.
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Tivoli Lovely review: Eddie Perfect’s new WAAPA musical is outstanding

Developed through WAAPA’s Premier Visiting Artist Fund, Perfect's 'Tivoli Lovely' pays tribute to Australia’s theatrical past.

The 2025 cast of the Australian production of 'Hair'. A large, illuminated zodiac star-wheel dominates a blue-lit stage; the golden symbols of the zodiac shine brightly. Members of the cast are gathered beneath the zodiac wheel, some crouching, others with arms raised or outstretched as if gripped by religious fervour.
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Hair review: musical’s emotional heart lost in underwhelming production

The tribal love-rock musical opens in Melbourne with an underwhelming production that's more parody than passionate remount.

A blurry arm with tattoos in the foreground. In the background the converse clad legs of someone laying on a tattoo bed while Xani, dressed in brown, gives them a tattoo. A scene from 'Tattoo Show' by Rawcus at Melbourne Fringe 2025.
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Melbourne Fringe 2025: a review diary

A selection of short reviews from the 2025 Melbourne Fringe Festival; rolling coverage which will be regularly updated.

Karlis Zaid in The Lucky Country. Photo: Jodie Hutchinson.
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The Lucky Country review: 'absolutely, vitally funny'

A genre-hopping musical comedy, The Lucky Country tackles the question of national identity with real heart and humour.

A man and a woman sitting next to one another. He's holding up a wine bottle. Sarah Morrison and Bobby Fox in Ordinary Days.
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Ordinary Days review: a new New-York set musical at fortyfivedownstairs

Ordinary Days is an ode to chance encounters and the magic waiting to be found in metropolitan life

Detail from Would That I Were A Fortress cover art, by June Jones. Image: Arkie Barton & June Jones.
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Would That It Were a Fortress review: June Jones EP is a chrysalis

June Jones’ music is intensely personal, interrogating gender identity, mental health, disability and what healing might look like.

A man is standing on a milk crate. There are people dancing around him in a production of In The Heights.
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In The Heights review: Lin-Manuel Miranda will have you dancing in your seat

In The Heights, by the theatrical force behind Hamilton, pulses with heritage and history.

Fifteen performers on stage for the production of Songs for a New World.
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Songs for a New World review: talent aplenty at Chapel off Chapel

With a large cast, Songs for a New World showcases the talents of songwriter Jason Robert Brown.

The cast of The Marriage of Figaro in costume in a large hall.
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The Marriage of Figaro review: a favourite returns to Sydney Opera House

The Marriage of Figaro, Mozart's classic comedy, is never boring thanks to Opera Australia.

Two women and a man in colourful clothes on roller skates. Kimberly Akimbo
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Kimberly Akimbo review: a Broadway musical hit now making its Australian premiere

The Australian premiere of a Tony Award-winning musical, first staged in Adelaide and now in Melbourne.

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