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Chokepoint Capitalism panel
Features

Why capitalism isn’t paying for creative labour

In a recent panel at ACMI, the authors of Chokepoint Capitalism shared insights on why ‘art is making more money…

Gilmaesh ChatGPT writing
Features

ChatGPT and the future of writing

ChatGPT is confronting, but humans have always adapted to new technology – ask the Mesopotamians, who invented writing.

Features

Delightful ways to play and interact with the museum experience   

Museum of Brisbane’s Play Moves leads the way in immersive and participatory museum experiences.

someone at a laptop looking at online art for purchase
Features

How COVID-response online arts are still thriving

Lockdowns may be behind us, but audiences continue to engage in online arts, with some surprising trends emerging.

Features

How AI art benefits from a human touch

Instead of AI threatening creativity and originality, artists have the power to examine its implicit biases and steer its direction.

Features

Global report takes pulse on Creative Industries

How does Australia’s view of Creative Industries fit with UNCTAD – the World Congress on Creative Economy’s view?

Features

Is tech changing the legacy of theatremakers?

While some remain sceptical of live-streaming and digital theatre, that documentation can become invaluable for next generation theatremakers dealing with…

News

Automated plagiarism: Furore over ‘computer’ winning art prize

Turf wars between artists and AI generators - a topic that is the tip of an iceberg worthy of a…

Evasion Score II (Domestic Security), 2021. Image: Roslyn Orlando
Features

Digital intimacies and echoes in space

Roslyn Orlando's work explores connection and togetherness in the digital realm.

News

Festival that makes the digital a physical experience

BLEED ‘22 stages its second iteration in a hybrid model to examine what digital works can teach us about physical…

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