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Story vs song: juggling the needs of different narrative forms
The narrative needs of theatre and songwriting can differ significantly, so how do you go about fusing them together in…
Balancing the scales of women’s representation in fine music
She Speaks, a day of concerts and conversations presented by the Adelaide Symphony Orchestra, celebrates the works of female composers…
15 years of amplifying Tasmanian voices
Established in 2006, Tasmania Performs remains agile and responsive, and dedicated to developing Tasmanian artists and showcasing their stories to…
Exit interview: Kris Stewart, Brisbane Powerhouse
After eight years and 2,5000 productions, Kris Stewart has left the Powerhouse to take on a new role as CEO…
Introducing new Music Tasmania CEO Keith Deverell
Taking on the challenges of helming an arts organisation in the wake of the pandemic was a chance for Keith…
Staging COVID-safe arts events outdoors
Sarah Neal, Executive Producer and Co-CEO at Malthouse Theatre, and Glyn Roberts, Artistic Director of the Castlemaine State Festival, share…
Inspiration during isolation: The long-term benefits of artist residencies
From playful figures to bathtub performances, artists are using the intense residencies of their past to create unexpected new works…
New festival promises more than just bright lights on cold nights
Illuminate Adelaide, the nation’s latest winter arts festival, has released the first glimpse of its inaugural program.
RISING festival program released: newest reason to love winter unveiled
It's been called ‘the biggest showcase of Victorian artists in the state’s history’, but the new RISING winter festival may…
Chinese-speaking students a largely untapped arts audience, says new report
Drawing on a comprehensive survey of 600+ Chinese-speaking students, a new report provides insights and case studies to help arts…
