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Adelaide Festival Centre to receive $90 million upgrade
Work will start later this year on increasing access points, technical upgrades, and better integrating the Centre with its riverbank…
Theatre review: Azimut, Adelaide Festival
Named after an astronomical term describing a star’s distance from the viewer, this work is remote but beautiful.
Theatre review: Tommy, Adelaide Festival
Making its world premiere at the Adelaide Festival, this jazz reimagining of The Who’s masterpiece is far from audience-ready.
WA arts after the mining boom
With income from the resource sector declining, what are the implications for arts funding and philanthropy in Western Australia?
Tasmanian theatre revival bridges pro-am divide
The inaugural Tasmanian Theatre Awards, to be presented later this month, demonstrate the vitality of a sector structurally different from…
Adelaide Fringe: how big is too big?
A record number of events will be presented at the 2015 Fringe, but Director Greg Clarke has no fears the…
Shall we dance? Why Opera Australia staged The King and I
Why is a government subsidised company staging a work that falls squarely within the ambit of commercial theatre?
Is Adelaide on the cusp of something big?
The so-called ‘second tier’ of Adelaide was laid waste during the 1990s but a new generation is reclaiming the territory.
Adelaide Festival Centre bows to commercial imperatives
The last bastion has fallen, driving up ticketing costs.
Do we need a National Indigenous Theatre?
The new conversation about a National Australian Theatre has a feeling of deja vu for Indigenous performers who have long…
